[U.S. Government War Information Films]
[From the U.S. Government Publishing Office, www.gpo.gov]

U. S. GOVERNMENT
WAR
INFORMATION
FILMS
16 MM. SOUND
OFFICE OF WAR INFORMATION Bureau of Motion Pictures Washington 25, D. C.
1945
OFFICE OF WAR INFORMATION motion pictures inform the American people of the status and progress of the war. They cover the fighting fronts and the home front. They point out the issues of the war and clarify the nature of our enemies. They build an understanding and a respect for our Allies in Britain, in China, in Russia, and around the world. They drive home dramatically and positively what Americans are doing and must do for Victory.
These Government motion pictures may be used wherever Americans meet for a serious purpose. They are being widely used in war plants, labor groups, service clubs, women’s clubs, parents’ groups, civilian defense meetings, community gatherings, schools and colleges, churches, rural meetings, and fraternal groups.
How To Obtain OWI Films
These films are supplied by the Government through authorized OWI distributors. Make your application direct to the nearest distributor of your choice. Do not apply direct to OWI. Distributors are listed in the back of this catalog.
There are 282 distributors, including university film libraries, state and city school systems, commercial film companies, public libraries, and civilian defense councils in the 48 States, District of Columbia, Alaska, Hawaii, and Puerto Rico.
There is no rental fee on OWI films, but distributors may make a service charge not to exceed 50 cents for each subject loaned per week or fraction thereof plus transportation charges both ways. COMBAT AMERICA, DESERT VICTORY, DUTCH TRADITION, TARGET FOR TODAY, TARGET FOR TONIGHT, and WORLD AT WAR carry a maximum allowable service charge of $2.50 per subject per week or fraction thereof. The maximum allowable service charge on THE NEGRO SOLDIER is $2 per week or fraction thereof. Book films for only the number of days needed in order that maximum use may be made of all prints.
Many of the films listed herein are available for outright purchase as indicated with an asterisk. Replacement footage can be purchased on most subjects. If you desire to purchase any films or replacement footage, write us for details.
Other Government Film Sources
U. S. Department of Agriculture, Motion Pic-
ture Service, Washington 25, D. C.
Films oh agriculture may be obtained in most States from the extension division at your State agricultural college or university extension division at your State university. Only if films are not available there, write direct to the U. S. Department of Agriculture for name of nearest distributor.
Coordinator of Inter-American Affairs, Motion Picture Division, 444 Madison Avenue, New York 22, N. Y.
Films on South and Central America, Mexico, and the Carribbean are available through local CIAA depositories. Only if films are not available there, write to CIAA for name of nearest distributor.
U. S. Public Health Service, Washington 25, D. C.
Films on health are distributed by your State and local health departments. Only if not available there, write direct to the U. S. Public Health Service, for name of nearest distributor.
U. S. Department of the Interior, Bureau of
Mines Experiment Station, 4800 Forbes Street, Pittsburgh, Pa.
Films depicting mining and metallurgical operations and related manufacturing processes are distributed through local depositories. Write to Louis F. Perry, Supervising Engineer, Graphic Services Section, for a list of films and depositories.
U« Sa Office of Education, Division of Visual Aids for War Training, Washington 25, D. C.
War training films are available for purchase through Castle Films Inc., 30 Rockefeller Plaza, New York City. Film libraries are encouraged to purchase prints so that they may be made available on a rental basis to interested groups.
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Classified List of OWI Films
Our fighting forces
Air Pattern of the Pacific Battle of Midway Cadet Classification Coast Guard Spars Combat America (Technicolor)
Combat Report Desert Victory Food For Fighters Freedom Comes High It Can’t Last Jap Zero Lady Marines Letter from Bataan Men and the Sea Mission Accomplished The Negro Soldier New Soldiers Are Tough 957th Day Normandy Invasion Out of Bed Into Action Paratroops Photography Fights Pincers on Japan Poland Forever Radio Operator Reports from AAF Report From the Beachhead
Reward Unlimited Ring of Steel
Sicily—Key to Victory Swim and Live Target for Today Target for Tonight Troop Train War on Wheels We Said We’d Come
Back
What Makes a Battle Wings Up
Winning Your Wings
Our Allies
Brazil at War
China—Our Western Front
Corsica Dover Dutch Tradition Here Is China Listen to Britain Report from Russia Target—Berlin Target for Tonight The Thousand Days The World at War
The nature of our enemies
The Arm Behind the Army
Divide and Conquer Our Enemy—The Japanese
The World at War These Are the Men
The production front —Industrial incentive
All Out for Victory Aluminum
The Arm Behind the Army
Behind the Winning Punch
Bomber
Building a Bomber
Building a Tank Conquer by the Clock Day of Battle Firepower
Handle With Care Lake Carrier Suggestion Box Tanks
Target—Berlin War on Wheels
The farm front
Canning the ¿Victory Crop
The Farm Garden Farmer at War Food and Magic Henry Browne, Farmer Home on the Range
The home front
Black Marketing Campus on the March Canning the Victory
Crop
Care of Children of Working Mothers
Challenge to Democracy Food and Magic
It Can’t Last
It’s Everybody’s War Keeping Fit
Letter from Bataan
Magic Bullets
Negro Colleges in Wartime
Out of the Frying Pan Into the Firing Line
Price of Victory Prices Unlimited Right of Way Safeguarding Military
Information
Three Cities
Wartime Nutrition When Work Is Done
Song shorts
Anchors Aweigh
Caissons Go Rolling Along
Coast Guard Song Keep ’Em Rolling Marines’ Hymn
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Office off War Information Films
16 MM. SOUND
Most of these subjects ore available from all of the distributors listed herein. Some subjects have limited distribution and therefore are not available from all distributors. Keep in touch with your 16 mm film distributor for other new OWI releases as well as for other excellent war films from many sources.
(Films marked with * are available for outright purchase)
AIR PATTERN OF THE PACIFIC (42 minutes)
Depicts the birth and growth of the Thirteenth Air Force in the Pacific Theater. It shows the Thirteenth .^carrying out the plans that formed the pattern of strategic bombing, that softened up Guadalcanal and the rest of the Solomon Islands and at the same time kept the Japs from retaliating against our ground troops in force from the air. Army Air Forces.
ALL OUT FOR VICTORY (20 minutes)
This film shows the importance of the man behind the production line and points out that both the sweat of workers and the blood of soldiers are needed to win the war. Especially ¿tressed is the fact that maximum use is made of all manpower and womanpower. It shows how well many peacetime industries have been converted to wartime production. A Wilding Production.
★ALUMINUM	(9 minutes)
The manufacture of aluminum—from the transmutation of bauxite into alumina and thence into aluminum sheeting.
THE ARM BEHIND THE ARMY
(10 minutes)
The stakes of American labor and American industry in this war—freedom, security, life itself. War Department.
BATTLE OF MIDWAY (11 minutes)
A one-reel industrial version of the Navy film The Battle of Midway, especially adapted with special commentary, to illustrate the part industry and labor played in this victory. War Department.
BEHIND THE WINNING PUNCH
(18 minutes)
This film, scored in typical March of Time fashion, shows the high degree of expendability of the steel that goes into the war equipment exposed to enemy fire at the battlefront and stresses the urgency of intensifying scrap efforts to keep pace with 1944 production needs. War Production Board.
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*BLACK MARKETING (11 minutes)
A dramatization of an actual and typical case taken from the files of the Office of Price Administration.
This film shows just how the black market operates and how it is defeated by cooperation of the public with the OPA and local law-enforcement officials. Office of Price Administration.
*BOMBER	(10 minutes)
The manufacture, speed, and power of the B-26 Army bomber. Commentary specially written by Carl Sandburg. “As a production it ranks with the finest documentary films ever made.” Hollywood Reporter.
BRAZIL AT WAR	(10 minutes)
The vast resources of Brazil, now a member of the United Nations, are turned to war against the Axis. Narrated by Edward Tomlinson, NBC radio commentator. Coordinator of Inter-American Affairs.
^BUILDING A BOMBER (20 minutes)
An educational exposition of the building of the B-26 Army bomber. Of interest primarily to engineering and vocational schools.	•
^BUILDING A TANK	(20 minutes)
The construction of the M-3 Army tank, including technical details of manufacture.
CADET CLASSIFICATION (20 minutes)
Classification procedure for selection of bombardiers, pilots, and navigators. The various physical and mental examinations are shown in detail, and the method of determining the final classification is illustrated. Designed to show the aviation cadet the “why” and “how” of the classification system. War Department.
*CAMPUS ON THE MARCH (19 minutes)
Wartime activities being carried on in American colleges and universities. Across the screen march young men and women being prepared for war today and for peace tomorrow.
CANNING THE VICTORY
CROP	(25 minutes)
The purpose of this film is to aid in making the urgent need for food conservation better known to the general public and to give up-to-the-minute practical information to the millions of Americans who are going to “put up” their own fruits and vegetables this fall. Good Housekeeping Magazine.
CARE OF CHILDREN OF
WORKING MOTHERS (22 minutes)
This film depicts a typical day in a nursery school. Helen Hayes, as commentator, emphasizes the advantages which the nursery school offers for the care of children of working mothers—safe and wholesome fun, wise guidance in the art of learning to do for one’s self and in helping others, a well-planned daily program, including indoor and outdoor play, nourishing food, rest periods, and health supervision. Office of Civilian Defense.
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CHALLENGE TO
DEMOCRACY	(20 minutes)
This film tells the story of 110, 000 displaced people and how our Government is handling their problems. The subjects are people of Japanese descent who were evacuated from the Pacific coast by the Army in 1942, and subsequently transferred to relocation centers managed by Civilian War Relocation Authorities. Their readjustment in new communities and in the normal stream of life is truly a challenge to democracy. War Relocation Authority.
*CHINA—OUR WESTERN
FRONT	(21 minutes)
China’s heroic fight and desperate struggle against the war lords of Japan. A tribute to the courage and tenacity of the people of China—fighting with us in the battle for freedom. United China Relief.
COAST GUARD SPARS (6 minutes)
“Join the SPARS and release a man for sea.’’ This film shows just what this slogan means—in the vital and interesting work now being performed by women in uniform so that the Coast Guardsmen they replace are freed for sea duty. Coast Guard.
COMBAT AMERICA
(Technicolor)	(63 minutes)
This thrilling film produced by Major Clark Gable follows the Flying Fortress crews of the 351st Bombardment Group from the end of their training at a Colorado training field to actual combat over Germany. It tells the story of the crews and the gunners, showing how they live, how they fight, and how they rest. Typical shots include target practice, identification drill, briefing, and action encountered on the many missions over Germany. Army Air Forces.
COMBAT REPORT	(12 minutes)
A photographic communique reenacting an actual engagement of an Army bomber sinking a submarine. Flashbacks dramatize production of vital aircraft equipment. War Department.
CONQUER BY THE CLOCK (11 minutes)
Dramatic portrayal of the results of carelessness in war production—the death of an American soldier in the Southwest Pacific, of American airmen in the North Atlantic. RKO.
^CORSICA	(11 minutes)
Shows the Allies landing in Corsica and coming to the aid of the islanders. The historical significance of the leading cities is outlined. There are intimate glimpses of the habits and customs of the native people. French Press and Information Service.
*DAY OF BATTLE	(10 minutes)
This is the story of an aircraft carrier—how she was built and how she was destroyed in battle against the Japanese in the South Pacific. It is a camera record of American iron ore, steel, tungsten, manganese, American courage, brought together for a few supreme hours to make an important day in American history.
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WESERT VICTORY	(62 minutes)
This highly dramatic film on desert warfare is the official British Army record of General Montgomery’s advance from El Alamein to Tripoli, produced by soldier camera men who fought and marched with the British Army on the 1,300-mile trek across the sands oif the Western Desert. British Information Services.
DIVIDE AND CONQUER (14 minutes)
The Nazis at work deliberately spreading hate and fear, distrust and confusion among the French people. A sober and dramatic reminder that this war is being fought on civilian as well as military fronts. This is not to be confused with the War Department film by the same title. Warner Brothers.
*DOVER	(10 minutes)
The spirit of the people of England, offensive-minded, with Commandos raiding Nazi strongholds, soldiers rehearsing tank tactics, the RAF roaring overhead bound for German targets. Narrated by Edward R. Murrow, CBS radio commentator. British Information Services.
*THE DUTCH TRADITION (30 minutes)
Presents the colorful story of the Netherlands during the last 4 years. In a tense sequence of well-edited shots is told the story of the brutal German invasion of Holland as well as the Japanese capture of the East Indies. The Netherlands are pictured fighting for freedom side by side with the other United Nations. The Netherlands Information Bureau.
*THE FARM GARDEN (Kodachrome) (20 minutes)
Shows how to plan, plant, cultivate, and harvest a farm garden. Department of Agriculture.
* FARM ER AT WAR	(11 minutes)
The war production program of the farmers of America is illustrated in this film. Pictures the farmers of Lancaster County, Pa., managing by working longer hours and cooperating with their neighbors to meet the need for the greatest output of farm products possible, at a time when there is a serious labor and tool shortage.
FIREPOWER	(12 minutes)
Dramatizes the vital need for all types of guns and ammunition, showing how nations which did not have sufficient firepower fell before the Nazis. Sequences tell how men and women of those nations are now working along with our workers. The film ends with a great demonstration of American weapons. War Department,
FOOD AND MAGIC	(11 minutes)
Food is the weapon in our hands here at home. It is up to every one of us to observe the rules vital to the successful progress of the war. This means production, conservation, sharing, and playing square. It means placing the war first. Department of Agriculture. A Warner Brothers production.
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*FOOD FOR FIGHTERS (10 minutes)
The science of nutrition goes to war as the Quartermaster Corps of the U. S. Army makes sure that American soldiers are the best fed army in the world.
FREEDOM COMES HIGH (19 minutes)
This picture was made in Hollywood and aboard various United States vessels. Barbara Britton plays the role of the woman at home, and James Craig plays the role of the man at war. There is an exciting sequence of one of the most notable and exciting battles of the South Pacific. Treasury-Navy Department.
^HANDLE WITH CARE (20 minutes)
The stages of manufacture in a Canadian explosives plant are carefully depicted. The necessity for eternal vigilance is revealed as much on the rapt faces of the workers as by the safety devices and rigidly enforced rules. National Film Board of Canada.
*HENRY BROWNE, FARMER (11 minutes)
A simple down-to-earth story of a Negro family in wartime—what they are doing individually and collectively to win the war. Narrated by Canada Lee. Department of Agriculture.
*HERE IS CHINA	(25 minutes)
Portrayed in this film is the China that existed before the Japs attacked. It shows the peasant, the laborer, the builder, the fisherman, the school child—the China that we can expect to see when the war is over. Clifton Fadiman does the narration. United China Relief, Inc.
*HOME ON THE RANGE (11 minutes)
The western range country and its importance in the war—mutton and wool, beef and leather necessary for Victory. A tribute to the men of the workaday West— honest, independent, tough. Departmen t of Agriculture.
IT CAN’T LAST	(20 minutes)
This film was written for the United States Navy by the distinguished Assistant Secretary of State and Pulitzer Prize poet, Archibald MacLeish. The story points out that just because the last battle of the war seems almost in sight, we cannot reduce our activities that make for victory, but we must fight, work, and conserve even more.
The lovely little Connecticut town of Old Lyme furnishes the setting for a great share of the picture. Liferaft sequences were actually shot at sea, and the airplane sequences were shot in a real Navy torpedo bomber. Treasury-Navy Department.
IT’S EVERYBODY’S WAR (16 minutes)
The effect of the war upon one American community. In the story of what the people of that town are doing to help win the war, there is an example of what everyone can do. Narrated by Henry Fonda. 20th Century-Fox.
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JAP ZERO
(20 minutes)
A training film in aircraft identification emphasizing the keen sight and quick decisions required of American airmen. Army Air Forces.
KEEPING FIT	(10 minutes)
Demonstration of the wartime effects of sickness, absences, idle production lines, fewer planes—and an explanation of five simple rules of health. Universal.
LADY MARINES	(20 minutes)
This is the story of the Marine Corps Women’s Reserve—a story of girls who are helping to win the war, of girls who are saving lives and carving a place in the world of tomorrow. It is a story of girls whose greatest satisfaction comes from a necessary war job well done. U. S. Marine Corps.
*LAKE CARRIER	(9 minutes)
Transportation of iron ore from the Mesabi ranges of Minnesota across the Great Lakes to the steel mills of Gary, Pittsburgh, and Youngstown. Narrated by Fredric March.
A LETTER FROM BATAAN (14 minutes)
A glimpse of the conditions under which American soldiers lived and died on Bataan, and a dramatic plea for civilians at home to conserve rubber, save fats, and use food carefully—so that other American soldiers will be prepared. Paramount.
^LISTEN TO BRITAIN (20 minutes)
A remarkable factual record of the many sounds and sights of wartime Britain—from the roar of Spitfires to the shouting of children—and an eloquent tribute to the everyday people of England. British Information Services.
*MAGIC BULLETS	(30 minutes)
A condensation of Warner Brothers feature starring Edward G. Robinson, based on the life of Dr. Paul Ehrlich, famed scientist who discovered “606,” cure for syphilis. Public Health Service. A Warner Brothers production.
* MEN AND THE SEA (10 minutes)
Training the men who man our cargo ships carrying food, munitions, and supplies throughout the world. Presented by the U. S. Maritime Commission and dedicated to American merchant seamen.
EMISSION ACCOMPLISHED (10 minutes)
The story of the first all-American raid over occupied Europe. American crews, piloting their Flying Fortresses, attack the railroad yards at Rouen and return safely to their base in England.
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*NEGRO COLLEGES IN WARTIME
(8 minutes)
Wartime activities being carried on in America’s Negro colleges, from Army classes in automotive mechanics to scientific experimentation in laboratories.
NEGRO SOLDIER	(45 minutes)
This film portrays the part of the Negro in our fight for the American way of life. It shows him in action in all of the wars of the Republic from the War of Independence through the present war. It was made under the supervision of Col. Frank Capra. War Department.
*NEW SOLDIERS ARE TOUGH
(20 minutes)
A new type of soldier is coming to the fore; soldiers with a new type of training, a new psychology of attack—hit first, hit hard, and keep on hitting. This film is the story of these tough young men and ends with a thrilling account of a British Commando raid on a Nazi-held village in Norway. Na tionalFilm Board of Canada.
957th DAY	(9 minutes)
Activity of the Fifth Fleet somewhere in the Pacific on the 957th day of the war (July 20, 1944) is the theme of this impelling and intense incident of war. It is a film on the capture of an island in the South Pacific.
There are scenes of impending action, of a heavy barrage, of coordinated airplane attack. These are actual combat shots—pounding home just 1 day’s activity of war. Treasury-Navy Department.
NORMANDY INVASION (19 minutes)
This film records the tremendous preparations and efforts made by the forces for the invasion of the European continent on D-Day. Gripping scenes of United States troops wading through a hail of machine-gun fire from boats which have worked their way through mine fields and under-water obstacles highlight the picture. These are effective shots of the capture of the first German prisoners and of the treatment given to the wounded. Treasury-Coast Guard.
OUR ENEMY—
THE JAPANESE	(20 minutes)
This film gives an insight into the resources and industries, religion, military training, lives, and minds of the people of Japan. It tells what our enemy in the Pacific is really like. Narrated by former American Ambassador to Japan Joseph C. Grew. Navy Department. A March of Time production.
OUT OF BED INTO ACTION (30 minutes) This film deals with the rehabilitation of hospitalized Army Air Force personnel. It is an excellent subject showing how the program is aimed at taking a person’s mind off his infirmity and directing his attention to getting well. It shows how muscles are kept toned and why, how a person’s mind is kept occupied and why, and how the cooperation of the patient himself will cut down time spent in the hospital and will snap him out of bed into action. Army Air Forces.
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OUT OF THE FRYING PAN INTO THE FIRING LINE (Technicolor) (3 minutes)
Pluto and Minnie Mouse, two of America’s favorite characters, show why and how to save fats and greases. A Walt Disney production.
^PARATROOPS	(9 minutes)
Terse and factual account of the training given our Soldiers of the Sky in how to jump, fall, guide a ’chute, land, and come up fighting.
PHOTOGRAPHY FIGHTS (13 minutes)
This picture shows how photography is helping to win the war. It shows how under enemy action photographic crews work precious minutes getting and scanning pictures to search for signs of enemy emplacements and evidence of his movements. It shows what happens when well-trained, discerning photographic interpreters can read from pictures shot by the crew. Treasury—Navy Department.
^PINCERS ON JAPAN (20 minutes)
Canada’s pla*ce in the strategy of the Pacific is the subject of this film. Convoys carrying the sinews of war steam out from her ports, while along her western coast lookouts and patrol boats keep constant vigil. Scenes of the construction of the Alaska Highway are pictured. National Film Board of Canada.
^POLAND FOREVER	(22 minutes)
This is a message from the youth of Poland to the entire world. From the youth who are fighting for the liberty of their nation, it is a pictorial document of the fight of democracy against invasion. POLAND FOREVER is more than a document. It is the story of a nation both old and young—old in tradition and of courtesy to man and reverence for God and young in heroic dedication to the building of a new state. Polish Information Center.
THE PRICE OF VICTORY (13 minutes)
With candor and conviction, Henry A. Wallace, Vice President of the United States, explains the ideals we are fighting for and the price we must pay for Victory. Paramount.
PRICES UNLIMITED	(10 minutes)
Shows that rationing and price controls are necessary and serve ultimately to benefit the consumer. Office of Price Administration. A Universal production.
RADIO OPERATOR	(20 minutes)
This excellent film gives a brief description of the training given to the radio operator, with emphasis on the importance of that training, showing how it fits him for the responsibilities of active duty on bombardment aircraft. Army Air Forces.
★REPORT FROM RUSSIA (8 minutes)
Russia’s “secret weapon” is the strength of the Russian people—the men, women, and children who punctured forever the myth of German invincibility.
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REPORTS FROM THE AAF (9 minutes)
Shows the RAF and the 8th Air Force on a hedge-hopping bombing flight over France and Germany. Includes the 5th Air Force report from New Guinea and the AAF maintenance and repair installation in Port Moresby, New Guinea. Treasury-War Department,
REPORT FROM THE
BEACHHEAD	(9 minutes)
Shows the established beachhead at Anzio. Portrays the hardships endured by our men, shows the casualties, and stresses the fact that, no matter how costly, no deal will be made with the Axis powers until Victory is won. Treasury-War Department.
REWARD UNLIMITED (10 minutes) This film dramatizes the great need for Cadet Nurses. The story centers around Peggy Adams who as a result of an accident decided to become a Cadet Nurse. The film takes us through her training as a student nurse and shows the rewards that come from a war job well done. A Selznick Production made available through the U. S. Public Health Service.
★RIGHT OF WAY	(7 minutes)
Through the night a troop train, a freight train, and a truck rush to a convoy scheduled to sail early the next morning, to deliver the goods on time. An explanation of why the civilian public must be inconvenienced at times in its traveling so that materials of war will not arrive too late.
★RING OF STEEL	(10 minutes)
A tribute to the American soldiers who have protected our country from 1776 to 1943, forging a “ring of steel” around American democracy. Narrated by Spencer Tracy.
SAFEGUARDING MILITARY
INFORMATION	(10 minutes)
Dramatic exposition of the results of careless talk—a ship torpedoed, a train wrecked. Emphasizes the need for secrecy by soldiers and civilians. War Depart men t.
★SICILY—KEY TO VICTORY (20 minutes) The record of the Canadian First Division in the Sicilian campaign. With the aid of animated maps, the advance of the Canadians is shown town by town. The story cuts back to Canada, to the war workers standing behind the army, demonstrating the essential link between war front and home front, which is the real key to Victory. National Film Board of Canada.
★SUGGESTION BOX	(10 minutes)
In war plants all over the country, workers are being encouraged to submit suggestions, which will effect a saving in time, labor, and materials, thus enabling production to be increased. This film presents several examples of how workers’ suggestions have resulted in improved methods of manufacture.
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SWIM AND LIVE	(20 minutes)
Training soldiers of the’U. S. Army, soon to be sailing through submarine-infested waters, to swim so that they may live—how to jump from a ship without splintering a leg, how to make shirts and trousers into life preservers, how to swim through burning oil. Army Air Forces.
★TANKS	(10 minutes)
Manufacture and performance of the M-3 Army tank. Narrated by Orson Welles. “In telling the tale of how the M-3 medium tank is assembled, tested, and shipped overseas, all the component factors are fused into an outstanding reel.” Film Daily.
★TARGET—BERLIN	(20 minutes)
This is the story of Canada’s unique industrial achievement—the building of the first Lancaster, the world’s largest bomber. It is the story of how a country mobilized all its skills and strength to turn out the machines of war that help bring victory closer. The Lancaster takes us with her on the mission to bomb Berlin—a mission significant because it points the road to more bombings and more targets until Victory is ours. National Film Board of Canada.
TARGET FOR TODAY (93 minutes)
This is the most comprehensive story ever told of an air bombing mission and is perhaps the most complete combat factual film produced in the United States. It was produced, directed, and edited by Lt.jCol. William J. Keighley, Chief of the Motion Picture Services Division, Office of Assistant of Air Staff Intelligence. It is the story of a bombing raid from the planning stage, through briefing, take-off, flight, “bombs away,” the return home, report of the fliers to intelligence officers, and what is done with the information brought back. The actors in the film are the famous Eighth Air Force. Army Air Forces.
★TARGET FOR TONIGHT (48 minutes)
A thrilling true story of a bombing raid over Germany by the RAF. One of the finest pictures of the war. “Quickens the pulse and cheers the heart.”—New York Times. British Information Services.
★THESE ARE THE MEN (11 minutes) The Nazi leaders, Hitler, Goebbels, Goering, and Hess, speak their own denunciation against a background of German might and German-wrought devastation. There are also scenes showing how the Nazi leaders are debasing and poisoning the minds of the youth of Germany. British Information Services.
THE THOUSAND DAYS (21 minutes) Canada’s remarkable achievements during three years of war and an inspiring tribute to the resolute spirit of Canadians, each one doing his utmost, all working together for Victory. Associated Screen Studios.
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★THREE CITIES	(10 minutes)
This film is the story of three typical American cities, one seafaring, one manufacturing, and one rural, and how the war workers in each tackled a problem of wartime living and found a solution.
★TROOP TRAIN	(11 minutes)
Moving the 201st Armored Division—tanks, trucks, half-tracks, motorcycles, jeeps, guns, and men— across the country from “X” to “Y”.
U. S. NEWS REVIEW: Issue No. 2
(19 minutes)
Five interesting and newsworthy stories: Discouraging unnecessary civilian travel; mobile laundry for frontline soldiers; completion of the Alcan Highway to Alaska; jungle fighting in New Guinea; and the Marines’ Hymn.
U. S. NEWS REVIEW: Issue No. 3
(19 minutes)
Six stories of universal interest: Testing a new plywood bomber, the Mosquito; civilians learn to “fixit”; occupation of Milne Bay in New Guinea; Liberators blast Naples; letter from a war worker whose son was killed in action; and the Coast Guard Song, “Semper Paratus.”
U. S. NEWS REVIEW: Issue No. 4
(17 minutes)
Fighting on Timor, northwest of Australia; Army salvage of obsolete equipment; protecting Britain’s books; wartime fishing; Russian-German fighting in the Caucasus; and an Australian novelty song, “Thingummybob.”
U. S. NEWS REVIEW: Issue No. 5
(16 minutes)
This issue contains five timely stories/ Safety rules for women war workers, an absenteeisrh cartoon, care for children of working mothers, 1,000-plane raid on the German seaport of Bremen, and the Army Air Corps song.
★WARTIME NUTRITION (10 minutes)
Simple rules of eating to be followed by Americans at home, in factories, in restaurants, and cafeterias.
WAR ON WHEELS	(22 minutes)
The exciting film story of an American truck convoy ambushed by German tanks. Its rescue in a pitched battle by a group of American medium tanks graphically pictures the type of action which won for us in Tunisia. The commentary brings home to the worker the importance of his role in our mounting war production. War Department.
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WE SAID WE’D COME BACK (20 minutes)
This film tells the story of the Navy’s fight in the Pacific. The assembly of the greatest sea power the world has ever seen is pictured. There are excellent combat shots of the latest ships, planes, and weapons in action. Treasury-Navy Department.
WESTERN FRONT (See CHINA—OUR WESTERN FRONT)
WHAT MAKES A BATTLE (16 minutes)
The Battle of the Marshall Islands was a piece of master strategy. Forces of land, sea, and air united to strike blows that resulted in success and each success resulted in another battle. Wounded and casualties were everywhere, and out of 10,000 Japs only 264 surrendered. Treasury-War Department.
★WHEN WORK IS DONE (9 minutes)
This is the story of what is happening to many American small towns in wartime. Into hundreds of communities, ill equipped to handle the influx, thousands of people have poured to take work in war plants. Sylacauga, Ala., was a town which had this problem, but licked it with effective planning by working out a program which got people together.
WINGS UP	(22 minutes)
The story of the 12 weeks of discipline, concentrated study, and hard work leading to graduation from the Officers’ Candidate School of the U. S. Army Air Forces and the rank of second lieutenant. Narrated by Capt. Clark Gable. Army Air Forces.
WINNING YOUR WINGS (18 minutes)
Lt. James Stewart of the Army Air Forces explains the work of the air forces, the requirements for enlistment, and the reasons for volunteering. “Probably the mast inspiring film of its sort yet released.”—Chicago Daily News. Warner Brothers.
★THE WORLD AT WAR (44 minutes)
A graphic history of the years 1931—41—from the Japanese invasion of Manchuria in 1931 to the bombing of Pearl Harbor 10 years later. The pattern of aggression in China, Ethiopia, Spain, Poland, Belgium, Holland, and France.
Song Shorts	(3 minutes each)
*Anchors Aweigh	*Coast Guard Song
*Caissons Go Rolling Along	*Marines’ Hymn
*Keep ’Em Rolling
Stirring songs sung “off screen” against backgrounds of appropriate action scenes. For audience participation, words of the songs are superimposed.
♦Available for outright purchase.
Page 14
Distributors of Office of War Information Films
ALABAMA
Extension Service
Alabama Polytechnic Institute
Auburn, Ala.
Department of Visual Instruction
Birmingham Public Schools.
2301 Avenue J Birmingham 3, Ala.
Wilfred Naylor 1907 Fifth Avenue N. Birmingham 1, Ala.
Visual Aids
University of Alabama University, Ala.
ALASKA
Visual Aids
U. S. Office of Indian Affairs
Juneau, Alaska
ARIZONA
Visual Aids Extension Division University of Arizona Tucson, Ariz.
ARKANSAS
Arkansas Visual Education Service
436 Conway Boulevard Conway, Ark.
Extension Service University of Arkansas Fayetteville, Ark.
State War Film Coordinator
State Department of Education
Little Rock, Ark.
CALIFORNIA
Kern County Film Library
117 Courthouse Bakersfield, Calif.
Extension Division University of California Berkeley, Calif.
Bell & Howell Co.
716 North LaBrea Avenue
Hollywood, Calif.
Visual Education Service
Board of Education 1205 West Pico Boulevard
Los Angeles 15, Calif.
Visual Education Department
Los Angeles County Schools
808 North Spring Street Los Angeles, Calif.
William M. Dennis 2506}£ West Seventh Street
Los Angeles 5, Calif.
Defense Council
Film Bureau 86 City Hall Los Angeles 12, Calif.
H. U. M. Higgins County War Film Coordinator
229 North Broadway, Room 204
Los Angeles, Calif.
Ideal Pictures Corporation
2408 West Seventh Street
Los Angeles 5, Calif.
Screen Adettes, Inc.
1709 West Eighth Street
Los Angeles 14, Calif.
Extension Division University of California 813 South Hill Street Los Angeles 14, Calif.
Walter O. Gutlohn, Inc. 4247 Piedmont Avenue Oakland 11, Calif.
Audio - Visual Department
Oakland Public Schools Oakland, Calif.
Library and Visual Service
Pasadena City Schools 1501 East Villa Street Pasadena 4, Calif.
Visual Instruction Center
San Diego City Schools 833 Thirteenth Street San Diego, Calif.
Page 15
Visual Education Department
County of San Diego 1255 University Avenue San Diego 3, Calif.
Filmosound Library Photo & Sound, Inc. 153 Kearny Street San Francisco, Calif.
Russell C. Roshon Pacific Building San Francisco, Calif.
Screen Adettes, Inc. 68 Post Building San Francisco 4, Calif.
Y. M. C. A. Motion Picture Bureau
351 Turk Street San Francisco, Calif.
COLORADO
Bureau of Visual Instruction
University of Colorado Boulder, Colo.
Akin & Bagshaw, Inc. 1425 Williams Street Denver, Colo.
Dept, of Research and Vocational Education
Denver Public Schools 414 Fourteenth Street Denver, Colo.
Ideal Pictures Corporation
1739 Oneida Street Denver 7, Colo.
Russell C. Roshon
Denver Theater Building
Denver, Colo.
Film Center
University of Denver Denver, Colo.
CONNECTICUT
Hebert Studios, Inc. 53 Allyn Street Hartford 3, Conn.
Department of Audio-Visual Education
New Haven Public Schools
New Haven, Conn.
Audio-Visual Aids Center
University of Connecticut
Storrs, Conn.
Eastern Film Libraries 95 North Main Street Waterbury 14, Conn.
DELAWARE
Milton H. Hill, Inc. 922 Shipley Street Wilmington, Del.
DISTRICT OF COLUMBIA
Bell 8s Howell Co.
1221 G Street NW.
Washington, D. C.
Paul L. Brand
816 Connecticut Ave. NW.
Washington, D. C.
Martin T. Hughes 51 H Street NW.
Washington, D. C.
FLORIDA
Gordon S. Cook 1126 S. E. Fourth Street Fort Lauderdale, Fla.
Department of Visual Instruction
University of Florida Gainesville, Fla.
Ideal-Southern 16mm Pictures Co.
9536 N. E. Second Avenue
Miami 38, Fla.
Bowstead’s Camera Shop
1039 North Orange Avenue
Orlando, Fla.
GEORGIA
Visual Education Dept.
Agricultural and Extension Service
University of Georgia Athens, Ga.
Atlanta War Film Service
Board of Education City Hall
Atlanta, Ga.
Calhoun Visual Education Co.
101 Marietta Street Atlanta 3, Ga.
Distributors’ Group, Inc.
756 W. Peachtree NW. Atlanta, Ga.
Page 16
Fulton Co. Board of Education
345 Washington Street SW.
Atlanta, Ga.
Russell C. Roshon 411 Connally Building Atlanta, Ga.
Stevens-Ideal Pictures Corp.
89 Cone Street NW.
Atlanta 3, Ga.
Division of General Extension
University System of Georgia
223 Walton Street NW.
Atlanta 3, Ga.
HAWAII
Adult Education Department
University of Hawaii Honolulu, T. H.
IDAHO
Film Library Extension Division University of Idaho Boise, Idaho
Educational Film Service
University of Idaho, S. B.
Pocatello, Idaho
ILLINOIS
Bell & Howell Co.
Films Division
1801 Larchmont Av-
enue
Chicago, 13, Ill.
Film Council
Board of Education
228 North La Salle Street
Chicago 1, Ill.
Film Bureau
Office of Civilian Defense
23 North Wacker Drive Chicago 6, Ill.
College Film Center 84 East Randolph
Street
Chicago 1, Ill.
DeVry Corporation 1111 Armitage Avenue Chicago 14, Ill.
Films, Inc.
64 East Lake Street Chicago 1, Ill.
W. O. Gutlohn
19 South La Salle St.
Chicago 3, Ill.
McHenry Educational Films
64 East Jackson Boulevard
Chicago 4, Ill.
Howard Motion Picture Service
7029 North Clark Street Chicago, Ill.
Ideal Pictures Corporation
28 East Eighth Street Chicago 5, Ill.
Russell C. Roshon 188 West Randolph
Street
Chicago, Ill.
Soundies Distributors Corp.
209 West Jackson Boulevard
Chicago, Ill.
Y. M. C. A. Motion Picture Service
19 South La Salle Street Chicago, Ill.
Visual Aids Service University of Illinois Champaign, Ill.
Western Cooperative Library
Western Illinois State Teachers College
Macomb, Ill.
The Venard Organization
702 South Adams Street Peoria 2, Ill.
Film Library
Division of Departmental Reports
5th St. and Sangamon Ave.
Springfield, Ill.
Fletcher Visual Education Service
218 West Main Street Urbana, Ill.
INDIANA
Bureau of Audio-Visual Aids
Indiana University Bloomington, Ind.
Gary Public Library
5th Avenue at Adams Street
Gary, Ind.
Page 17
Division of National Defense
The American Legion Indianapolis, Ind.
Indiana Visual Aids Co. 4243 Central Avenue Indianapolis 9, Ind.
Modern Talking Picture Service
615 North Illinois Street Indianapolis 4, Ind.
Office of War Training Purdue University La Fayette, Ind.
Teaching Materials Service
Ball State Teachers College
Muncie, Ind.
Burke’s Motion Picture Co.
434 Lincoln Way West South Bend 5, Ind.
Extension Division
Indiana State Teachers College
Terre Haute, Ind.
American Visual Aids Co.
161 Ferry Street Wabash, Ind.
Dennis Film Bureau, Inc.
29 East Maple Street Wabash, Ind.
IOWA
Visual Instruction Service
Iowa State College
Ames, Iowa
Pratt Sound Film Service
805 Third Avenue SE.
Cedar Rapids, Iowa
Eastin 16mm Pictures Co.
Davenport, Iowa
Bureau of Visual Instruction
State University of Iowa Iowa City, Iowa
KANSAS
Extension Division
Fort Hays Kansas State College
Hays, Kans.
Bureau of Visual Instruction
University of Kansas Lawrence, Kans.
Office of Visual Aids Kansas State College Manhattan, Kansas
Central Visual Education Service
Broadview Hotel Building
Wichita, Kans.
KENTUCKY
D. T. Davis Co.
231 West Short Street Lexington 15, Ky.
Bureau of Audio-Visual Aids
University of Kentucky Lexington 29, Ky.
LOUISIANA
Agricultural Extension Division
Louisiana State University
Baton Rouge, La.
Film Service
Southwestern Louisiana Institute
Lafayette, La.
Film Service
Louisiana State Normal College
Natchitoches, La.
Harfilms, Inc.
600 Baronne Street New Orleans 13, La.
I deal-Southern Pictures 440 Audubon Building
New Orleans 16, La.
Division of Audio-Visual Aids
Orleans Parish School Board
1835 Erato Street
New Orleans 13, La.
Russell C. Roshon
Pere Marquette Build» ing
New Orleans, La.
Film Service
Louisiana Polytechnic Institute
Ruston, La.
Page 18
MAINE
Film Service
University of Maine 22 Stevens Hall, S.
Orono, Maine
Stanley Dana Corporation
Portland, Maine
MARYLAND
Kunz Motion Picture Service
432 North Calvert Street
Baltimore, Md.
Stark Films
Howard and Centre Streets
Baltimore, Md.
MASSACHUSETTS
Cooperative Extension Division
Massachusetts State College
Amherst, Mass.
Division of T eaching Aids
Boston University Boston, Mass.
Cinema, Inc.
234 Clarendon Street Boston, Mass.
Visual Instruction
State Dept, of Education
200 Newberry Street Boston, Mass.
Russell C. Roshon Little Building Boston, Mass.
Visual Education Service, Inc.
131 Clarendon Street Boston, Mass.
Wholesome Film Service, Inc.
48 Melrose Street Boston, Mass.
Film Department
Iris Pharmacy 238 Main Street • Brockton, Mass.
South End Film Library
56 Vallonia Terrace Fall River, Mass.
Stanley- Winthrop’s 5-7 Revere Road Quincy 69, Mass.
Irving C. Clark 399 Dwight Street Springfield 3, Mass.
MICHIGAN
Bureau of Visual Education
University of Michigan Ann Arbor, Mich.
Cosmopolitan Film Libraries
3248 Gratiot Avenue Detroit 7, Mich.
W. D. Engleman Co. 701 West Warren Detroit, Mich.
UAW-CIO Film Department
281 W. Grand Boulevard
Detroit 16, Mich.
Capital Film Service 1105 East Grand River East Lansing, Mich.
Grand Rapids Public Library
Ryerson Library Building
Grand Rapids 2, Mich.
Motion Picture Section Michigan Office of Civilian Defense
300 North Grand Avenue
Lansing, Mich.
State Board of Control for Vocational Education
115 West Allegan Street Lansing, Mich.
MINNESOTA
Cooperative Film Library
Hibbing, Minn.
Elliott Film Company 1110 Nicollet Avenue Minneapolis 3, Minn.
Film Preview, Inc.
1504 Hennepin Avenue Minneapolis, Minn.
Russell C. Roshon 535 Andrus Building Minneapolis, Minn.
Bureau of Visual Instruction
University of Minnesota Minneapolis 14, Minn.
Page 19
Department of Education
War Emergency Activities
St. Paul, Minn.
MISSISSIPPI
Herschel Smith Co. 119 Roach Street Jackson, Miss.
State War Film Coordinator
State Department of Education
Jackson, Miss.
MISSOURI
Cooperative Film Library
Southeast Missouri State Teachers College
Cape Girardeau, Mo.
Visual Education Service
University of Missouri Columbia, Mo.
Hoover Brothers, Inc. 922 Oak Street Kansas City 6, Mo.
Ideal Pictures Co. 926 McGee Street Kansas City 6, Mo.
Department of Visual Education
Kansas City Public Schools
3004 Benton Boulevard Kansas City, Mo.
Kansas City Sound Service Co.
926 McGee Street Kansas City 6, Mo.
Russell C. Roshon Midland Building Kansas City, Mo.
Educational Museum Board of Education 4466 Olive Street St. Louis, Mo.
Pictosound Movie Service
6125 Marwinette St. Louis, Mo.
Russell C. Roshon 425 Louderman Building
St. Louis, Mo.
Swank Motion Pictures 614 N. Skinker Boulevard.
St. Louis 5, Mo.
MONTANA
Visual Education
State Dept, of Public Instruction
Helena, Mont.
Campbell Films Manhattan, Mont.
NEBRASKA
Bureau of Audio-Visual Aids
University of Nebraska Lincoln, Nebr.
Modern Sound Pictures, Inc.
1219 Farnam Street Omaha 2, Nebr.
NEVADA
Agricultural Extension Division
University of Nevada Reno, Nev.
NEW HAMPSHIRE
Photo-Visual Service
University of New Hampshire
Durham, N. H.
A. H. Rice & Co.
P. O. Box 205 Hollis, N. H.
NEW JERSEY
Audio-Film Libraries 41 Washington Street Bloomfield, N. J.
Art Zeiller 120 Central Avenue Glenrock, N. J.
Department of Library & Visual Aids
Board of Education Newark, N. J.
J. C. Reiss Reiss Building 10 Hill Street Newark, N. J.
The Princeton Film Center
55 Mountain Avenue Princeton, N. J.
Page 20
New Jersey State Museum
Dept, of Conservation and Development
Trenton 7, N. J.
NEW MEXICO
Extension Division
University of New Mexico
Albuquerque, N. Mex.
NEW YORK
Film Division
N.Y. State War Council 353 Broadway Albany 7, N. Y.
Ruger Editing & Projection Service
34-36 Court Street Binghamton, N. Y.
Bureau of Visual Instruction
Board of Education 110 Livingston Street Brooklyn, N. Y.
Visual Education Department
Board of Education Buffalo, N. Y.
Buchan Pictures 79 Allen Street Buffalo, N. Y.
Office of Visual Aids Extension Service Cornell University Ithaca, N. Y.
Brandon Films, Inc. 1600 Broadway New York 69, N. Y.
Film Coordinator
Civilian Defense Vol-unter Office
City Hall
New York, N. Y.
King 'Cole’s Sound Service
203 East 26th Street New York 10, N. Y.
Films, Inc.
330 West 42nd Street New York 18, N. Y.
Walter O. Gutlohn, Inc. 25 West 45th Street New York 19, N. Y.
Institutional C i n e.m a Service, Inc.
1560 Broadway New York, N. Y.
International Workers Order, Inc.
80 Fifth Avenue New York 11, N. Y.
Mogull’s Inc. 68 West 48th Street New York 19, N. Y.
New York University 71 Washington Square
S.
New York 12, N. Y.
Nu-Art Films, Inc. 145 West 45th Street New York 19, N. Y.
Pictorial Films, Inc. RKO Building Radio City
New York 20, N. Y.
Russell C. Roshon 2200 RKO Building Radio City New York 20, N. Y.
Bertram Willoughby Pictures
1600 Broadway New York 19, N. Y.
Willoughby’s 110 West 32d Street New York 1, N. Y.
Y. M. C. A. Motion Picture Bureau
347 Madison Avenue New York, N. Y.
John E. Allen, Inc. 6 George Street Rochester 2, N. Y.
Department of Visual and Radio Education
Board of Education 13 Fitzhugh Street
South
Rochester, N. Y.
James E. Duncan 196 East Ridge Road Rochester 5, N. Y.
Educational Film Service
University of Rochester Rochester, N. Y.
Department of Science Board of Education Syracuse, N. Y.
Page 21
Educational Film Library
Syracuse University Syracuse 10, N. Y.
Ideal Motion Picture Service
393 St. Johns Avenue Yonkers, N. Y.
NORTH CAROLINA
Bureau of Visual Instruction
University of North Carolina
Chapel Hill, N. C.
Charlotte Public Library
Charlotte, N. C.
Russell C. Roshon Liberty Life Building Charlotte, N. C.
National Flim Service 14 Glenwood Avenue Raleigh, N. C.
NORTH DAKOTA
Department of Correspondence Study
North Dakota Agricultural College
Fargo, N. Dak.
OHIO
Department of Visual Aids
Board of Education
Akron, Ohio
Groshan Graphic Art Co.
2422 Tusc Street
Canton, Ohio
Visual Aids Exchange
Cincinnati Public Schools
511 West Court Street
Cincinnati, Ohio
Ralph V. Haile 8s Associates
215 Walnut Street Cincinnati, Ohio
Manse Film Library 2514 Clifton Avenue Cincinnati 19, Ohio
Russell C. Roshon Fourth Floor
Keith Theater Building Cincinnati, Ohio
Cleveland Public Library
325 Superior Avenue Cleveland, Ohio
Educational Museum
Cleveland Public Schools
4914 Gladstone Avenue Cleveland 4, Ohio
Sunray Films Co. 2108 Payne Avenue Cleveland 14, Ohio
Ohio Slide 8c Film Exchange
State Department of Education
Columbus, Ohio
Twyman Films, Inc. 29 Central Avenue Dayton 1, Ohio
Board of Education 1219 National Bank
Building
Lima, Ohio
Martin Sound Systems 610 State Avenue Massillon, Ohio
Visual Education Department
Board of Education
Toledo, Ohio
Cousino Visual Education Service
1221 Madison Avenue
Toledo 2, Ohio
OKLAHOMA
Film Division
East Central State College
Ada, Okla.
Film Division
Southeastern State College
Durant, Okla.
Visual Education Department
University of Oklahoma Norman, Okla.
Camera Shoppe 2301 Classen Boulevard Oklahoma City, Okla.
H. O. Davis 522 North Broadway Oklahoma City, Okla.
Page 22
Department of Educational Extension
Oklahoma Agricultural and Mechanical College
Stillwater, Okla.
OREGON
Department of Visual Instruction
Oregon State System of Higher Education
Corvallis, Oreg.
Ideal Pictures Corporation
915 S.W. 10th Avenue
Portland 5, Oreg.
Department of Visual
Education
Portland Public Schools
631 NE. Clarkamas Street
Portland, Oreg.
Screen Adettes, Inc.
314 S.W. Ninth Avenue
Portland 5, Oreg.
PENNSYLVANIA
James A. Peters
41 South Fourth Street Allentown, (Pa.
Kelly Studios
14 East Tenth Street Erie, Pa.
J. P. Lilley & Son 277 Boas Street Harrisburg, Pa.
B. E. George Hawthorn, Pa.
Indiana Film Library
Indiana State Teachers College
Indiana, Pa.
Johnstown Photo Supply
242 Franklin Street Johnstown, Pa.
Film Library
State Teachers College Millersville, Pa.
Film Division Council of Defense Broad Street Station Philadelphia, Pa.
Dept, of Visual Education
School District of Philadelphia
Parkway at 21st Street Philadelphia, Pa.
Kunz Motion Picture Service
1319 Vine Street Philadelphia 7, Pa.
Russell C. Roshon Fox Theater Building Philadelphia, Pa.
PCW Film Service
Pennsylvania College for Women
Pittsburgh, Pa.
Department of Visualization
Pittsburgh Public Schools
Osceola and Cypress Streets
Pittsburgh, Pa.
Russell C. Roshon
520 State Theater Building
Pittsburgh, Pa.
Visual Art Film Distributors
419 Empire Building Pittsburgh 22, Pa.
Clem Williams Films 802 Pitt Bank Building Pittsburgh, Pa.
Defense Council Court House Reading, Pa.
Audio-Visual Aids Service
Pennsylvania State College
State College, Pa.
Kunz Motion Picture Service
170 East Main Street Uniontown, Pa.
York Film Library Hartley Building York, Pa.
RHODE ISLAND
Dept, of Public Schools
Visual Instruction Section
20 Summer Street Providence, R. I.
Page 23
Rhode Island State Council of Defense
1051 North Main Street Providence, R. I.
SOUTH CAROLINA
Audio-Visual Aids Bureau
Clemson Agricultural College
Clemson, S. C.
Audio-Visual Aids Bureau
Extension Division
University of South Carolina
Columbia, S. C.
SOUTH DAKOTA
Extension Division
University of South Dakota
Vermillion, S. Dak.
TENNESSEE
Division of University Extension
University of Tennessee Knoxville, 16, Tenn.
Ideal Pictures Corporation
17 South Third Street Memphis 3, Tenn.
Russell C. Roshon 88 Madison at Main Memphis, Tenn.
Dominick Home Movies 13 Nokomis Circle Knoxville 16, Tenn.
TEXAS
State War Film Coordinator
State Department of Education
Austin 11, Tex.
Visual Education, Inc. 12th at Lamar
Austin 21, Tex.
Visual Instruction Bureau
University of Texas Austin 12, Tex.
Films, Inc.
Gulf States Building Dallas 1, Tex.
National-Ideal Pictures 2024 Main Street Dallas 1, Tex.
Russell C. Roshon Guardian Life Building Dallas, Tex.
Visual Education, Inc.
203 Cotton Exchange Building
Dallas 1, Tex.
Y. M. C. A. Motion Picture Bureau
1700 Patterson Avenue Dallas, Tex.
Bureau of Public Service
Texas Technological College
Lubbock, Tex.
UTAH
Bureau of Visual Instruction
Brigham Young University
Provo, Utah
Extension Division University of Utah Salt Lake City, Utah
VERMONT
Robert Hull Fleming Museum
University of Vermont Burlington, Vt.
VIRGINIA
Ideal Pictures Co.
219 East Main Street
Richmond 19, Va.
National Film Service 309 East Main Street Richmond 19, Va.
Bureau o f Teaching Materials
State Board of Education
Richmond 16, Va.
WASHINGTON
Office of Visual Education
Central Washington
College of Education
Ellensburg, Wash.
Visual Education Department
Washington Junior High School
Olympia, Wash.
Bureau of Visual Teaching
State College of Washington
Pullman, Wash.
Page 24
King County Schools 310 County-City Building
Seattle, Wash.
Rarig Motion Picture Co.
5514 University Way
Seattle 5, Wash.
Dept, of Visual Education
Seattle Public Schools 810 Dexter Avenue Seattle, Wash.
Department of Audio-Visual Education
Spokane Public Schools West Fourth Avenue Spokane, Wash.
Dept, of Audio-Visual Aids
Tacoma Public Schools
Tacoma 1, Wash.
Dept, of Audio-Visual Education
Vancouver Public Schools
Vancouver, Wash.
WEST VIRGINIA
United Specialties 816 West Virginia St. Charleston 2, W. Va.
Film Division Library
University of West Virginia
Morgantown, W. Va.
WISCONSIN
Bureau of Visual Instruction
University of Wisconsin Madison 6, Wis.
War Information Center
Milwaukee Public Library
Milwaukee, Wis.
Photoart House
844 North Plankinton Ave.
Milwaukee, Wis.
WYOMING
Cooperative Film Library
University of Wyoming Laramie, Wyo.
Page 25
OFFICE OF WAR INFORMATION
WASHINGTON 25z D. C
OFFICIAL BUSINESS
PENALTY FOR PRIVATE USE TO AVOID PAYMENT OF POSTAGE, $300